To blot out memories that continue to haunt her, Sybil manifests at least 16 distinct personas.Joanne Woodward portrays the compassionate psychiatrist who helps Sybil come to grips with her harrowing past.
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Morgan Editor(s) Mike Brown Running time 89 minutes Production company(s) Warner Bros. Television Wolper Organization Distributor CBS Release Original network CBS Original release May 28, 2007 (Italy) June 7, 2008 (USA). Watch Sybil 2007 Series Sybil ThatThis is the second adaptation of the book, following the Emmy Award -winning 1976 mini-series Sybil that was broadcast by NBC. The university scenes were filmed at Dalhousie University in Nova Scotia. The film was released in Italy, New Zealand, the Dominican Republic, Brazil, Norway, and Hungary before finally being broadcast in the US by CBS on June 7, 2008. As her treatment progresses, Sybil confesses that she frequently experiences blackouts and cannot account for large blocks of time. Wilbur helps her recall a childhood in which she suffered physical, emotional, and sexual abuse at the hands of her disturbed mother Hattie. Chief among them is Victoria, a French woman who explains to Dr. Wilbur how she shepherds the many parts of Sybils whole. Frustrating the therapist are objections raised by her associates, who suspect she has influenced her patient into creating her other selves, and Sybils father, who refuses to admit his late wife was anything other than a loving mother. By nightfall, Sybil claims she feels different, and emotionally declares her hatred toward her mother. The story, so revelatory and startling when it was new, is today likely to have the feel of an acting exercise. It is impossible to watch Ms. Blanchard run through her repertory of voices and facial contortions. She gets an A, but the viewers investment in the story suffers. Its essentially a two-woman play, and these particular women do the absolute best they can with what is given them. Langes Wilbur is unflinching and unflappable, with equal parts compassion and ambition, empathy and bitterness, while Blanchard is a marvel of physical and vocal elasticity, changing into 16 people, often several in the same conversation. The problem is the almost breakneck pace which requires that all emotional nuance be jettisoned in favor of showing the range of the personalities. I could say its the worst movie Ive seen in some time, but Id prefer to say its the best at being not good. It is an actors dream and potential nightmare, a role that calls upon the player to shift voice, tone and personality on a dime. She does not eclipse the memory of Field s Sybil, but it is a performance to remember. The saddest thing about this Sybil is its place in the schedule. A film like this used to be showcased during sweeps, not hidden away on a Saturday night in June like some poor relation. CBS has shown the movie, its stars, and the story extreme disrespect with this treatment. The remake feels more like a sketch of a troubled life than a fully realized portrait, which also detracts from its power to break your heart.
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